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DAVID SMITH AMERICAN SCULPTOR

Among the greatest American sculptors of the twentieth century, David Smith was the first to work with welded metal. He wove a rich mythology around this rugged work, often talking of the formative experiences he had in his youth while working in a car body workshop. He learned welding while there which he used in his sculpture.

Smith was friends with Robert Motherwell and many other Abstract Expressionist painters. He made his first sculptures by attaching stray objects to his paintings.  It was after seeing photographs of Picasso’s metal constructions that he turned wholeheartedly to sculpture.

One of Smith’s most important formal innovations was to abandon the idea of a “core” in sculpture. He became better known in the ’50s and in 1958 the Museum of Modern Art gave him a one-man exhibition.

Here are a few of his many sculptures:

David Smith had the ability to express himself through writing as well as with his sculptures:

”I do not often follow its path from a previously conceived drawing. If I have a strong feeling about its start, I do not need to know its end; the battle for solution is the most important. If the end of the work seems too complete and final, posing no question, I am apt to work back from the end, that in its finality it poses a question and not a solution.

Sometimes when I start a sculpture I begin with only a realized part; the rest is travel to be unfolded, much in the order of a dream.

I will not change an error if it feels right, for the error is more human than perfection. I do not seek answers. I haven’t named this work nor thought where it would go. I haven’t thought what it is for, except that it is made to be seen. I’ve made it because it comes closer to saying who I am than any other method I can use. This work is my identity. There were no words in my mind during its creation, and I’m certain words are not needed in its seeing; and why should you expect understanding when I do not? That is the marvel—to question but not to understanding. Seeing is the true language of perception. Understanding is for words. As far as I am concerned, after I’ve made the work, I’ve said everything I can say.”

Smith died in a car crash at age 59.